Mary and the Witch’s Flower Torrentking

Mary and the Witch’s Flower

(メアリと魔女の花 ,
Meari to Majo no Hana) is an Japanese blithe characteristic films and produced by Studio Ponoc and directed by Hiromasa Yonebayashi and produced Yoshiaki Nishimura.

It premiere in
on July 8, 2017, by Toho while the English-language dubbed and subtitled version was released concurrently in the United States on January 19, 2018, past GKIDS.

The film began life following the retirement of Hayao Miyazaki and the shutting downwardly of the product side of Studio Ghibli in 2014. Hiromasa Yonebayashi, director of
The Secret World of Arrietty
When Marnie Was In that location, and producer Yoshiaki Nishimura, who worked alongside Isao Takahata in
The Tale of the Princess Kaguya, had left Ghibli to found Studio Ponoc on April 15, 2015, to produce this film. Additionally, 80% of the staff that were involved in this moving picture had previously worked at Ghibli.

It is based on 1971 British children’s story
The Niggling Broomstick
by Mary Stuart (1916 – 2014). Information technology was originally released in Nihon on 1975 as
Small Magic Broom
(Translation by Kyoko Kakegawa / analogy past Akahoshi Akira Mamoru) and republished on 2017 due to the release of this film adaptation. It was called
Mary and the Witch’s Flower, New Translation
(Translation by Toshiya Echizen, Yuki Nakata ) and was published by Kadokawa.

The picture was publicly announced with its poster visual on December xiv, 2016, and its lead vocalization actor
Hana Sugisaki
was announced on Feb 23, 2017. Yuki Amami and six other cast members were appear on May 23. Actors Sugisaki, Amami and Kamiki accept had prior experience performing in previous Studio Ghibli works.

  • 1

    • 1.ane
      The ”Wing-past-Night”
    • i.two
      Magic Science
    • ane.iii
      Mary Decides
    • 1.4
      Rainbow of Magic
  • 2

    • 2.1
      Main Protagonists
    • 2.2
      Residents of Red Manor
    • 2.3
      Endor University
  • iii
    Behind the Scenes

    • 3.1
    • 3.2
    • 3.3
    • 3.4
  • 4

    • iv.1
      Box Office
  • 5
  • 6
    Vox Bandage
  • 7
  • 8
    Tie-upwardly collaboration
  • 9
  • x
    External links
  • 11


The ”Fly-by-Dark”

Mary gains magical powers afterward finding a mysterious broomstick.

Mary Smith moves into the northern English language country estate of her Great Aunt Charlotte. The bored, friendless girl tries to make herself useful through chores, but repeatedly messes upwardly. A local boy named Peter teases her for her clumsiness and wild carmine pilus. Tib-cat and Gib-cat, Peter’due south cats, atomic number 82 Mary to some mysterious glowing flowers. The gardener identifies the flowers as “fly-by-night”; legend has it that witches covet the bloom for its magical power. The adjacent twenty-four hours, Gib-cat disappears. Tib-cat leads Mary to a broomstick but she accidentally bursts a fly-past-night bulb on it. The seedling releases magical power, making the broomstick come to life and enabling Mary to ride information technology similar a witch. The Little Broomstick whisks Mary away to a circuitous of buildings in the clouds, known every bit
Endor College
for witches.

Magic Science

Mary meets Madam Mumblechook and Doctor Dee at the magical Endor College.

Head mistress Madam Mumblechook assumes Mary is a new pupil with Tib-true cat equally her familiar, and takes her on a tour of the college. She introduces Mary to
Dr. Dee, the college’due south renowned chemistry instructor. Mary finds herself able to perform avant-garde spells such as invisibility. Madam and Doctor Dee get convinced that Mary is a prodigy considering of her performance as well every bit her cherry pilus, which is a distinguishing feature among the all-time witches.

The magical experiments in Endor College escape.

Mary admits that her magical ability comes from wing-by-night, and that Tib-cat belongs to Peter. Madam’southward attitude changes then but she lets Mary return home once Mary turns over Peter’s address. That dark, Madam sends a message to Mary, informing that she’s kidnapped Peter, and demands that Mary bring the wing-past-night bulbs to her. She and Tib-cat chop-chop wing back to Endor with the bulbs, only Madam and Doctor Dee imprison her in their transformation lab. Mary finds Peter locked in with her, and discovers that Doctor Dee has been experimenting on animals, including Gib-true cat, transforming them into fantastic creatures. From the spell book she took from Madam’due south office, Mary uses a spell to undo the transformations and unlock the lab. They try to escape on the Piddling Broomstick, but Peter is recaptured.

Mary Decides

Mary and Peter escape along with Tib and Gib-true cat.

The Little Broomstick takes Mary to an isolated cottage on a tiny isle that seems to exist alive. Inside the cottage, Mary finds notes on spells and a mirror that Great-Aunt Charlotte uses to contact her. Through visions, Charlotte reveals that the cottage was her erstwhile abode, and she used to exist a red-haired pupil who excelled at Endor. One day Charlotte found fly-by-night on the campus, leading Madam and Medico Dee to obsessively pursue a projection to utilise the flower to transform all humans into witches. When their experiments failed, Charlotte escaped Endor, taking the flower with her. Charlotte begs Mary to use her concluding bulbs to render home, only Mary vows to rescue Peter.

Rainbow of Magic

Things end happily for Mary and Peter.

Mary returns to Endor and finds Madam and Medico Dee trying to transform Peter into a witch. The experiment fails again, leaving Peter trapped within a gelled monster. Mary gets the spell book to Peter, and he uses it to undo the failed experiment and all of Madam and Doctor Dee’s inquiry.

Mary and Peter fly dwelling, with her throwing abroad her concluding bulb and saying she does not need magic.


Main Protagonists

Mary Smith (メアリ・スミス ,
Meari Sumisu)
The redheaded, bluish eyed, freckled 11-year old protagonist of this tale. She is curious and innocent in the means of the earth. She’south forlorn and unsure of herself when she first moves to her Aunt Charlotte’s Red Estate.
Mary’south adventure begins when she discovers a mysterious glowing flower called the “fly-past-night”. The magic released from these flowers empowers Mary’s broom, which allows her to have flight where she ends up traveling to
Endor University. Shenanigans ensues.
Peter (ピータ ,
A 12-year old newspaper male child who resides at the grounds of the Red Manor. He flees with Mary to the Endor University. He holds a dark secret.
(ティブ ,
I of Peter’southward cats who lives in Cerise Manor. He has black fur and emerald dark-green eyes. He enjoys Mary’south company.
(ギブ ,
A grey female person cat owned by Peter.

Residents of Cerise Manor

Charlotte (シャーロット ,
The kindly mistress of the Crimson Estate and Mary’s corking aunt. She watches over Mary.
Flanagan (フラナガン ,
Manager of the broomhouse at Endor University. He appears to be an anthropomorphic mouse. He has a strong fascination with brooms and later on saves Mary and Peter’s life.
Miss Banks
(バンクス ,
The housekeeper who works at the Ruby Manor. A person Mary relies on for emotional support.
(ゼベディ ,
The gardener in the Scarlet Manor. He teaches Mary the secret of flight with a broomstick.

Endor University

Doctor Dee
(ドクター・デイ ,
Dokutā Dei)
A professor and “magic scientist” and a secondary antagonist at Endor Academy. He studies magic transformations and cavorts with Madam Mumblechook.
Madam Mumblechook (マダム・マンブルチューク ,
Madamu Manburuchūku)
The headmistress or chief and a chief adversary of Endor University. A stern and intimidating woman who seeks Mary for her transformation magic experiments.

Behind the Scenes


Toshio Suzuki speaking with his protégé Yoshiaki Nishimura, and the new offices of Studio Ponoc.

At the end of 2014, the animation production department of Studio Ghibli was dissolved following Hayao Miyazaki announcing his retirement in September 2013. In March 2015, Hiromasa Yonebayashi publicly expressed his desire to direct a 3rd moving-picture show for Ghibli, hoping to motility away from a project like
When Marnie Was At that place
to a more than action-based motion-picture show like [[Ponyo]].

On Apr 15, 2015, Yoshiaki Nishimura, producer on
The Tale of the Princess Kaguya
When Marnie Was There, yet an employee of Ghibli and the designated successor of Toshio Suzuki, established a new company, Studio Ponoc. “Ponoc” is Serbo-Croatian word, roughly translating to “midnight” to signify “the get-go of a new day.”[1]

In Feb 2016, Nishimura and Yonebayashi, returning from the 88th University Awardsfor
When Marnie Was In that location, find out that Studio Ghibli’due south production offices was completely empty and would non exist returning. Shortly thereafter, as what many had suspected: Yonebayashi would straight a third feature film, only inside Studio Ponoc.

The 24-hour interval Studio Ponoc officially opened.

“Starting from nil was quite scary, just in starting from zip there is hope also,” Nishimura says. This sense of a new starting time was used to rally talent from Ghibli and elsewhere, and Nishimura recognized that without the cooperation of others, his goal of a new studio would have been impossible; without the Ghibli brand to rely on, the upstart studio would need to grow from its own collection of talent.[two]

Following Miyazaki’s method of adapting children’south books, Yonebayashi decided on adapting
The Niggling Broomstick
by Mary Stuart. When asked what inspired them to adapt this volume, Nishimura responds:

The teaser for the moving picture, and the same fine art used for a new English edition published by Hodder Children’s Books on October 5, 2017

“Well, in that location are three reasons: first, afterwards nosotros left Studio Ghibli and founded Studio Ponoc, we wanted to have an energetic main character and a fantasy setting. The terminal film Yonebayashi-san directed at Studio Ghibli – When Marnie Was At that place – was a very quiet film nigh the internal thoughts and emotions of a girl. Simply Managing director Yonebayashi’s speciality is actually dynamic action, which he learned as an animator nether managing director Hayao Miyazaki, something he adult into a real talent. I idea “which motif will let the kind of fantasy setting we’re looking for?” I read a lot of young adult literature and fantasy looking for stories, and almost all of these stories involving magic feature characters using magic to solve difficult bug, but in this volume – in “The Piffling Broomstick” – the main character, Mary, says “I’m going to open up this door but I won’t utilise magic – no matter how much time it’ll take, I’ll do information technology on my own, without magic” and I thought “this should be the heroine we utilise for our film”.”

“The 2nd reason is, this theme of non using magic to solve a trouble – it fit into the state of affairs that I and Yonebayashi-san and others at Studio Ghibli faced: we were now no longer under the “magic umbrella” of Studio Ghibli and needed to complete a film on our own. And so the feeling that we needed to stand on our own two anxiety was part of information technology.”

“Lastly, at that place is one other motif in The Little Broomstick – the magic bloom, the fly-by-nighttime. This is the bloom that gives magic ability to normal humans. We treated this as Prometheus Fire – something that humans shouldn’t really have, something that wreaks destruction if they get as well close to it. That relates to the challenges we face in this present day, in our own lives.”


Toshiya Echizen was responsible for the new translation of Mary Stewart’s
The Little Broomstick, published by Kadokawa Bunko.

Mary and the Witch’due south Flower
is an accommodation of British author Mary Stewart’southward 1971 children’s volume
The Little Broomstick. Information technology was get-go published in 1975 in Nihon and re-released with a new translation by Kadokawa in 2017 to accompany the film’due south release. The picture show’s screenplay is by Riko Sakaguchi (The Tale of Princess Kaguya) and managing director Hiromasa Yonebayashi.

Pre-product began in a building in Musashino, Tokyo, Japan in December 2015. Ponoc’s operation began smoothly, starting with advert support from JR Nishi Japan, regional subsidiary of the JR runway group. The studio as well hired Yoshiyuki Momose, one of the pillars of Studio Ghibli. Effectually this fourth dimension, Yonebayashi broke the news to Miyazaki that he was moving forrard with the film’due south production. “He was happy,” Yonebayashi explained. “Miyazaki isn’t someone who shows their feelings easily, so it was surprising.”[3]

Hiromasa Yonebayashi working on the film with many Studio Ghibli veterans.

“I would like to create films inherited from the spirit of Ghibli” elaborated Nishimura. “In that location are a lot of studios that make expert films, simply few that are responsible and reflect on the image and values ​​they convey through their productions. It is for this reason that we felt compelled to create our own studio.”

They would try to apply the iii points that Miyazaki taught them:

  • A movie must be fun.
  • It must be interesting.
  • It must make a turn a profit in society to be able to make another one.


“This time nosotros wanted to make a picture show with a protagonist who acts before thinking… This applies to starting a new studio besides; it was important we have action without thinking too much.”

—Hiromasa Yonebayashi

Concept fine art for Mary.

The film’s production was composed of 80% of Ghibli’s production staff. Much of the film’southward style and storytelling was greatly afflicted by Ghibli. According to Director Yonebayashi, “We employed lots of hand fatigued animators for Mary and we are confident that we fully employed their forcefulness and power for the hand drawn animation. With the short films we are trying to employ lots of mitt drawn blitheness and lots of CG blitheness as well, and it is our challenge to mix these two medias. Mitt drawn animation and computer graphics.”

Studio Ponoc worked day and night to consummate the movie.

The biggest challenges the animators faced was animative the fantastical characters and creatures assuredly. “One is when Mary enters Endor Higher and the headmistress appears in the water – that was very tough to animate. The other one was when the animals are freed, transformed back into their original animal shapes and freed, escaping the cave where they were imprisoned. There were so many different animals, each with slightly different move, and so that was a real claiming. Each of these is only a few moments of screen time, but they took near two months to end. There were many scenes similar that, that were difficult to animate. But what I put a lot of effort into were the scenes where Mary loses her magic ability and has to rely on but her human being ingenuity and strength, and with renewed decision runs to the rescue just on her own power.” Yonebayashi explains farther.[4]

Toshio Suzuki and Isao Takahata see Ponoc’s co-founders on behalf of Hayao Miyazaki to talk over their new film.

When creating the character of Mary, Yonebayashi considered themes of transformation from within, “Initially Mary has an inferiority complex near her ginger red hair and she was and then unhappy that she would expletive herself in the mirror – but eventually through her adventure they don’t thing to her. Initially she was thinking only of herself but eventually she discovered that she was able to sacrifice herself to salve other people. That was the theme when I was designing these aspects.”

“Also there is a symbol on Mary’south palm that indicates when she is granted power, enormous power. But when she really needed the power the virtually she was unable to utilise it, she would but meet a little scar on her palm. Yet, she would turn her palm into a fist and go on to go forward. Nosotros wanted to portray her determination. That even when she loses the magical power she is adamant to get alee. We thought that this was of import and would resonated with a lot of audiences.”

Yonebayashi with the folk group
Pelting. They performed the motion picture’s theme song,
Sekai no Owari.

In Dec 2016, Studio Ponoc unveiled the starting time teaser of
Mary and the Witch’s Blossom. The release appointment was ready for July eight, 2017.

In January 2017, Hayao Miyazaki visited Ponoc’s offices to encounter his quondam collaborators, who have dubbed the studio every bit the “next generation of Ghibli”. “On Arrietty, Mr. Miyazaki often told me that I did non understand annihilation while looking at my
genga” Yonebayashi humorously explained. “But this time, he just came to chat.”

Additionally, the ending credits contained a “Thanks” message addressed to Hayao Miyazaki. For this reason, the film is sometimes described as “the 2nd Studio Ghibli” or the successor to Studio Ghibli.


The cast of
Mary and the Witch’s Flower, featuring several veteran actors and singers.

Voice recording began in May 2017. Hiromasa Yonebayashi, who enjoys working with talent he previously collaborated with at Studio Ghibli, hired
Hana Sugisaki
(she voiced Sayaka in
When Marnie Was There) and Yûki Amami (Granmamare in [[Ponyo]]). They also hired popular vocalism talent
Ryûnosuke Kamiki
as Peter, who not only appeared in the mega-blockbuster
Your Name, but also voiced Sho in
The Secret World of Arrietty, Markl in
Howl’due south Moving Castle
and Boh in
Spirited Abroad.


Box Office

Hana Sugisaki
and Director Hiromasa Yonebayashi at the July 25, 2017 premiere screening and talk event.

Mary and The Witch’s Bloom
grossed $two.iv 1000000 in the The states and Canada, and $38.6 million in other territories (including $27.half dozen meg in Japan, $3.8 million in South Korea, $2.9 million in Communist china and $2.6 million in French republic), for a worldwide full of $41 1000000.

In Japan, the film opened at second place, grossing ¥428 million ($three.ix million) during its opening weekend; this was an increase compared to Yonebayashi’s previous film,
When Marnie Was At that place
(2014), which had grossed ¥378.86 million in its first weekend.

In the United States, the moving-picture show held a special Thursday night preview on Jan xviii, 2018, where information technology grossed $ane.2 meg from 573 theaters. It and so stayed at 161 theaters over the weekend and grossed $329,097, bringing its four-day gross to $one.v million. Critical response

Hana Sugisaki, Ryunosuke Kamiki and Yonebashi at a special talk issue at Roppongi Hills Arena on June 22, 2017 (Th).

On review aggregator Rotten Tomatoes, the picture show has an blessing rating of 86% based on 69 reviews, and an average rating of 6.ix/10. The website’s disquisitional consensus reads, “Mary and The Witch’s Bloom honors its creator’s Studio Ghibli roots with a gentle, beautifully blithe story whose simplicity is rounded out by its entrancing visuals.” On Metacritic, the film has a weighted average score of 73 out of 100, based on 19 critics, indicating “more often than not favorable reviews”.

Shelia O’Malley of gave the film a rating of three stars out of four and stated that “the total lack of inner conflict in Mary might be why Mary and The Witch’s Flower-as transportive and entertaining as it is-feels a little slight”. Notwithstanding, Moira Macdonald of The Seattle Times noted that although the film “isn’t quite a masterpiece” and “the screenplay needs a polish”, she ended that the picture show is “a joy to look at: a visual adventure, and a continuation of a remarkable legacy”.


Composer Muramatsu Takatsugu, who also scored Yonebayashi’due south last flick
When Marnie Was At that place, is in charge of the soundtrack for
Mary and The Witch’due south Blossom. Joshua Messick, i of the globe’s leading performers of the Hammered Dulcimer, participated in the score recording.[5]

Vocalisation Cast

Character Japanese Voice actor English language Voice role player
Mary Hana Sugisaki Ruby Barnhill
Madam Mumblechook Yuki Amami Kate Winslet
Doctor Dee Fumiyo Kohinata Jim Broadbent
Flanagan Jiro Sato Ewen Bremner
Great-Aunt Charlotte

Shinobu Otake

Lynda Baron
Peter Ryunosuke Kamiki Louis Ashbourne Serkis
Miss Banks Eriko Watanabe Morwenna Banks
Red-haired Witch (Younger Great-Aunt Charlotte) Hikari Mitsushima Teresa Gallagher
Zebedee Kenichi Endō Rasmus Hardiker
Light Fairy Saori Hayami Rebecca Louise Kidd


Credit Cast
Director, Screenplay Hiromasa Yonebayashi
Animation Manager Takeshi Inamura
Banana Cartoon Director Akira Inoue, Akihiko Yamashita
Art Manager Tomotaka Kubo
CG Manager Yū Karube
Key Animation Akira Honma, Akiyo Okuda, Asako Matsumura, Atsuko Otani, Atsuko Tanaka, Atsushi Tamura, Eiji Yamamori, Emi Ohta, Fumie Imai, Hideki Hamasu, Hirofumi Masuda, Hiroko Minowa,Hiroomi Yamakawa, Hiroshi Kawaguchi, Hiroshi Shimizu, Izumi Seguchi, Kazutaka Ozaki, Kazuyoshi Onoda, Kiyotaka Oshiyama, Mariko Matsuo, Masafumi Yokota, Masashi Ando, Minoru Ohashi, Naoya Wada, Ryosuke Tsuchiya, Sachiko Sugino, Satoko Morikawa, Shigeru Fujita, Shinichiro Yamada, Shinji Hashimoto, Shinji Otsuka, Shinya Ohira, Shūjirō Ami, Susumu Mitsunaka, Takaaki Yamashita, Takashi Hashimoto, Takayuki Hamada, Tatsuzou Nishida, Toshihiko Masuda, Toshio Kawaguchi, Yoshiyuki Momose, Yūichi Takahashi, Yūko Tani
Line Test Atsuko Okui, Atsuko Shibata, Chūzan Kuno, Hironobu Horikoshi, Junji Yabuta, Kanae Ouchi, Minori Tsukagoshi, Shūji Takahashi, Taku Kaneku, Toshiyuki Fukushima, Yoshiaki Kayaba, Youichirou Satou, Yūsaku Ishimi,
CG Ayano Kameda, Hisashi Akimoto, Jae-Youp Sang, Tomoe Hitō, Yoshifumi Takegawa
In-betwixt Animation Ai Kaneko, Aiping Wang, Akane Ōtani, Akiko Ikeda, Akiko Teshima, Asami Ishikado, Asami Ishiura, Asuka Sekiya, Aya Takahashi, Ayaka Miyamoto, Ayaka Muroga, Ayaka Saitou, Ayaka Yamamoto, Ayaki Ono, Ayano Yagi, Bo Rum Lee, Byeong Jae Lee, Chihiro Watanabe, Chizu Takanuki, Emi Nakano, Emi Sakamoto, Fumie Kaneko, Fuyuko Iwata, Hae Jin Jung, Hai Xia Rong, Haruka Itou, Harumi Miyamoto, Hee Eok Kwak, Hiroko Kando, Hiroko Tezuka, Hiromi Matsuda, Hiromi Niwa, Hisako Yaji, Hotaka Hashimoto, Ikuko Akiyoshi, Jae Eun Bae, Ji Young Cho, Jin Rui Li, Jinko Tsuji, Joo Ey Choi, Junji Kobayashi, Kaede Maruyama, Kana Yamamoto, Kanae Tanaka, Kanako Satō, Kanako Takeuchi, Kanata Yanagisawa, Kaori Itou, Kaori Matsushima, Kaori Miyakawa, Katsu Miyazaki, Katsuyuki Takahashi, Keiko Tomizawa, Keiko Watanabe, Keimon Oda, Keizō Suzuki, Ken Anzai, Ken Imaizumi, Kengo Sunohara, Kim Boksim, Kiyoko Kawasaki, Kiyoko Makita, Koji Matsuda, Kumi Miyaguchi, Kumiko Ohta, Kumiko Tanihira, Kyung Mi Ham, Maiko Fujiwara, Maiko Matsumura, Maiko Nogami, Maki Toyoda, Manami Sugimoto, Masakiyo Koyama, Masateru Yoshimura, Masaya Saito, Masayasu Horiuchi, Masayo Tamaki, Maya Fujimori, Mayumi Ohmura, Mei Yamamoto, Mi Kyung An, Michiko Oda, Minami Nakamura, Mineko Suzuki, Misa Koyasu, Misaki Shiohira, Misuzu Ichinose, Mitsuki Murao, Mitsumori Matsuzaka, Mitsuna Ishihara, Mitsunori Murata, Miyuki Abe, Mizuki Kokubun, Momo Yamamoto, Nana Hashiguchi, Nanako Egami, Natsumi Morishita, Natsumi Uno, Natsumi Yamaguchi, Nobuhide Kariya, Noriko Endō, Nosuzu Yasumoto, Nozomu Ichijo, Reiko Mano, Rie Eyama, Rie Nakagome, Rieko Matsuoka, Riko Matsuo, Ritsuko Shiina, Ryoka Furuya, Ryōsuke Murahashi, Ryun Sung Jo, Sae Fukushima, Saki Yamada, Sara Sakoe, Seiko Higashi, Seong Beom Kim, Seong Jin Ho, Seong Yeon Lee, Setsuya Tanabe, Shiki Amaha, Shin Ōba, Shiori Ariga, Shiori Fujisawa, Shota Sugihara, Shūto Enomoto, Sumie Nishido, Sumie Noro, Sunday Ha Hwang, Sung Il Kim, Takahiro Nawa, Takashi Nagashima, Takashi Okamura, Takeshi Ohkoshi, Takumi Morito, Takuya Suezawa, Tatsuki Ujihira, Tomoko Nakajima, Tomoko Sugata, Tomoyuki Kojima, Wei Sun, Yaeko Kodama, Yasuaki Honda, Yasushi Tokuda, Yayoi Toki, Ying Ping Zhao, Yohei Nakano, Yoriko Mochizuki, Yoshie Fujiwara, Yoshie Hayashi, Yoshiko Arahata, Youko Tanaka, Young Lim Lee, Yū Furuki, Yu Fen Cheng, Yue Zhao, Yui Okano, Yui Ōzaki, Yuka Chōmei, Yuka Katsuya, Yukari Umebayashi, Yukari Yamaura, Yuki Masutani, Yuki Nakano, Yuki Takahashi, Yukiko Kunitake, Yukimi Shimamoto, Yukina Orii, Yumiko Taguchi, Yuri Nakao, Yuzu Hori, Zhi Ping Gao
Background Fine art Akane Iwakuma, Akemi Higashi, Akio Shimada, Akira Kuramoto, Ayae Kanbe, Hiroshi Ohno, Hiroshi Satō, Ikuko Kogayu, Jun Okabe, Kazuo Oga, Kikuyo Yano, Kiyomi Oota, Kōsuke Hayashi, Kurumi Katayama, Kurumi Suzuki, Miho Tokita, Naomi Kasugai, Naoto Imamura, Noboru Yoshida, Noriko Kohinata, Saki Yamaguchi, Sō Senoo, Takashi Omori, Tatsuya Kushida, Toshie Honda, Yohei Takamatsu, Yoko Kamiyama, Yoshiaki Honma, Youichi Nishikawa, Youji Takeshige, Yu Xuan Liu, Yuka Nitta, Yumi Ishii,
Animation Cooperation Actus, GONZO, Comics Wave Moving-picture show, Video Studio, JCSTAFF, Aiken, Shinei Video, Studio Takurake, Nakamura Productions, Color, etc.
Producer Yoshiaki Nishimura
Special Thank you Hayao Miyazaki, Isao Takahata, Toshio Suzuki
Production Commission “Mary and the Witch’s Bloom” Production Committee (Nippon Television set Network, Toho, Dentsu, Hakuhodo DY Media Partners, Walt Disney Japan, Lawson, KADOKAWA, Color, Yomiuri Telly Broadcasting, Kenon, Amuse, DN Dream (Partners, LINE, Yomiuri Shimbun, Sapporo Television, Miyagi TV, Shizuoka Daiichi Idiot box, Chukyo TV, Hiroshima TV, Fukuoka)
Special Sponsors Morinaga Milk Industry, JA Mutual Aid

Necktie-up collaboration

  • Morinaga Milk Industry
    – A special Goggle box commercial was broadcast nationwide, and a tie-in packaged product was released in tardily June 2017. Morinaga Milk Industry sponsored special preview screenings in three cities – Tokyo, Nagoya and Osaka.
  • JA Common Help
    – From June 1, 2017, to July 31, 2017, a personalized visual was drawn by director Hiromasa Yonebayashi to all applicants for the sponsor’due south special site’s quiz. Original appurtenances were given out by lottery to the correct answers, and from the terminate of June TV commercials.
  • Human Observation Diversity Monitoring
    – A Telly special chosen
    Impossible Voice Actor Audition
    was broadcast on July 13, 2017. Actors Sugisaki and Kamiki as well as Yuki Kaji participated in the role of Flanagan hosted the effect.


  1. “Exclusive Interview – Mary and The Witch’southward Flower director Hiromasa Yonebayashi and producer Yoshiaki Nishimura”, Flickering Myth.

  2. “Hiromasa Yonebayashi on Mary and the Witch’s Flower: “We want to make films that give people courage”, BFI.

  3. “Mary and the Witch’due south Flower: Moving-picture show Creation”, Buta Connection

  4. “Interview: The Producer and Director of Mary and The Witch’south Blossom”, Anime News Networks.

  5. “Mary and the Witch’south Flower” Official Soundtrack, YesAsia.

  6. Hammered Dulcimer on “Mary and the Witch’due south Blossom”

External links


  • Mary and the Witch’s Blossom
    Official Homepage


  • ANN.png
    Mary and the Witch’s Flower
    on Anime News Network



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